Junko welding a fine silver sculpture with a welding torch while wearing a protective helmet and gloves in her workshop.

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I made my first Silver Organism in 2001 with sponsorship from the Sheffield Assay Office, but variations of these square spike components have been part of my forging practice since my BA work in Japan in 1997. Fine silver (999) is a very soft mater
Excited to share a selection of steel and silver works that will be shown alongside the chandeliers from my previous post at @designmiami this year with @adrian_sassoon_gallery. The selection includes two new works in steel, Propagation Project; Ech
I’m over the moon to share the latest works in my chandelier series, Floating Chandelier; Spirea and Floating Chandelier; Pistia, which will debut at @designmiami next month with an amazing group of artists represented by @adrian_sassoon_galler
This piece, 𝘚𝘪𝘭𝘷𝘦𝘳 𝘖𝘳𝘨𝘢𝘯𝘪𝘴𝘮; 𝘒𝘪𝘬𝘶, celebrates the Kiku flower—Japanese for Chrysanthemum—one of the most cherished flowers in my home country. With 40 natural variations and over 20,000 cultivars, the Kiku flower offers
*𝘌𝘯𝘨𝘭𝘪𝘴𝘩 𝘪𝘯 𝘤𝘰𝘮𝘮𝘦𝘯𝘵𝘴 𝘣𝘦𝘭𝘰𝘸 𝗖𝗼𝗲𝗱/𝗖𝗼𝗲𝘅𝗶𝘀𝘁 - 𝗚𝗮𝗹𝘄𝗮𝗱 𝗮𝗴𝗼𝗿𝗲𝗱 𝗱𝗲𝘂𝗻𝘆𝗱𝗱𝗶𝗮𝘂 𝗮𝗿 𝗴𝘆𝗳𝗲𝗿 𝗰𝗿𝗲𝘂 Yn dilyn ein symposiwm Coed Coexist a gynhaliwyd yn ddiweddar, gwahoddir ymarferwyr creadigol sydd &ac
Technique - Heat colouring and Wax Coating The final surface of my steel sculptures depends on the level of polishing, hammering for texture, and different types of sandblasting. When it comes to colour, heat plays a key role. Heating steel to speci
Sharing one of my most memorable commissions to date. After seeing my work at the @britishmuseum, a client reached out to @adrian_sassoon_gallery about a possible commission. Since I never begin a piece with a preconceived design, I can’t repli